Schoenberg's string quartets are some of my favorite 'crunchy listening', so discovering his works for brass was one of my favorite parts of this class. Twentieth-century 'classical' brass writing, with its various influences, and coupled with the developments made in both brass manufacturing and performance, make it some of the most interesting listening out there. Today's post will reflect on various major brass compositions from 20th-century avant-garde composers. One of the pieces that we listened to ages ago in ABEL that I fell in love with was the Lutoslawski Mini Overture. Another that I've performed before, which isn't specifically for brass ensemble, but has massive brass parts, is Hindemith's Symphony in B flat for Wind Ensemble. While at the Atlantic Brass Quintet Seminar, I performed Plog's Four Sketches for Brass Quintet. The performance experience is just as energized as the listening experience is - the chromaticism and ti...
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